A composer who was new to Cubase asked me how he could add dynamics to passages of his orchestral music, so I gave him an overview of the ways Cubase lets you control volume and expression.
He had always made demos of his orchestral pieces in notation software, and he wanted to move to Cubase to get a more realistic result with his Spitfire Symphony Orchestra library. Partway through our session he asked how he could control passages of his music and bring some dynamics into them.
This was an overview session, where we looked at lots of different parts of Cubase, so we didn’t have time to sit with dynamics in depth. Instead I showed him that his new software has lots of options for this.
- Simple volume controls within Cubase.
- Expression MIDI data, assigned so he could control the expression with his modulation wheel.
- Changing the volumes on Cubase’s MixConsole, for rough and ready volume mixing.
- Automation, to control different sections.
I also showed him how to put sections of his orchestral performance, for example the woodwinds and the brass, into group tracks on the MixConsole, so he could control the volume of each section as a group.
By the end of the session he had Cubase working, his Spitfire library linked to Kontakt and his orchestral pieces playing in Cubase. He was very happy, and he now had an idea of the features that would be there for him as he carried on using the software. The other part of the same session, on choosing the right Spitfire patches in Cubase, is written up separately.
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